Performance: Prototype 行为表演：原形
About the Event 关于活动
The original form and its metamorphosis are often as opposed as this and the other. The snake does not look like a man, and so it is often said that the snake transforms into a man after its training, but one does not hear of a snake becoming another snake, for it is difficult for a man to distinguish between the other snake and this snake and to know whether the snake has metamorphosed or not.
But the snake looks like time, and although this moment is different from the other, the present and the past are often reversed, and time meanders, as when the hunchbacked man seeks the snake to lead the way, and the man follows the snake's trail, taking twists and turns, the man only wanting to go home, the snake only waiting for the man to show itself.
The scene becomes an imitation darkroom where only the assumed safety of light can travel. During the performance, a simulated photo development process is projected on a curtain together with a fictional story, reflecting/reflecting/contrasting the other moment with the other.
原形与其变形，往往如同 此与彼 一般对立，蛇看起来并不像人，于是常有人说蛇修行之后变形成人，却没听人说一条蛇变成另一条蛇，因为人很难区分彼蛇和此蛇，不知道蛇有没有变形。
现场会成为一间 仿造的暗房，只有 假设的安全光 可以传播。表演中，会把 模拟的照片冲洗过程 与一个 虚构的故事，一起投影在幕布上，由彼一时映照/反照/对照此一时。
About the Artist 关于艺术家
As language is often used to describe creation more than creation, the creation is also covered with the mycelium of language half a man high, and the grammar of creation inside points to the long method of language on the bark. In the end the two things seem indistinguishable, but it seems that they can be described and probably eaten.