Rockbund Art Museum 上海外滩美术馆

The original form and its metamorphosis are often as opposed as this and the other. The snake does not look like a man, and so it is often said that the snake transforms into a man after its training, but one does not hear of a snake becoming another snake, for it is difficult for a man to distinguish between the other snake and this snake and to know whether the snake has metamorphosed or not.

But the snake looks like time, and although this moment is different from the other, the present and the past are often reversed, and time meanders, as when the hunchbacked man seeks the snake to lead the way, and the man follows the snake's trail, taking twists and turns, the man only wanting to go home, the snake only waiting for the man to show itself.

The scene becomes an imitation darkroom where only the assumed safety of light can travel. During the performance, a simulated photo development process is projected on a curtain together with a fictional story, reflecting/reflecting/contrasting the other moment with the other.

Dong Longyue

As language is often used to describe creation more than creation, the creation is also covered with the mycelium of language half a man high, and the grammar of creation inside points to the long method of language on the bark. In the end the two things seem indistinguishable, but it seems that they can be described and probably eaten.

董龙跃

由于用语言描述创作常多过创作，于是创作上也就蒙了半人高的语言的菌丝，里面创作的语法也指点着树皮上语言的长法。最后这两个东西看起来就分不大清了，但好像能说清，也大概吃得出来。